St Patrick's Cathedral, Dublin

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St. Patrick's Cathedral, Dublin

County Dublin

Status: cathedral
St Patrick's Cathedral Exterior, Dublin, Ireland - Diliff.jpg
St Patrick's Cathedral
Church of Ireland
Diocese of Dublin and Glendalough
Location
Grid reference: O15173351
Location: 53°20’22"N, 6°16’17"W
History
Gothic
Information
Website: www.stpatrickscathedral.ie

Saint Patrick's Cathedral in Dublin, founded in 1191, is a glorious mediæval Gothic cathedral in the City of Dublin, on the southside of Dublin, standing outside the city's ancient centre, and in the heart of County Dublin.

This one of the two cathedrals of the Diocese of Dublin and Glendalough in the Church of Ireland; the other being Christ Church Cathedral. Of the two, St Patrick's is the youngster, having been founded only in 1191. St Patrick's serves in effect as the National Cathedral of the Church of Ireland, leaving its elder brother, Christ Church, to serve as the seat of the diocese.[1]

With its spire of 140 feet, St. Patrick's is the tallest church in Ireland and the largest.[2]

Background

Ever since the Middle Ages, Dublin has had two cathedrals; Christ Church and St Patrick's, both serving as a seat of the Archbishop of Dublin. Since 1870, the Church of Ireland has designated St Patrick's as the national cathedral for the whole of Ireland, drawing chapter members from each of the twelve dioceses of the Church of Ireland, leaving Christ Church to serve the diocese.

The Dean of St Patrick's is the ordinary for the cathedral; this office has existed since 1219. The most famous office holder was Jonathan Swift.

State pew of the President of Ireland

A two-cathedral city was a problem in the Middle Ages. Before the Reformation, St Patrick's was a secular cathedral (which is to say one for which the clergy were not monks) while Christ Church was monastic. Some believe it was intended that St Patricks would replace Christ Church, leaving the latter as a monastery. Instead, the two remained, within sight of each other.

A confrontational situation persisted during the Middle Ages, with considerable tension lacking in Christian charity, over the decades after the establishment of St Patrick's. It was eventually settled, more-or-less, by the signing of a six-point agreement of 1300, Pacis Compositio. Still extant, and in force until 1870, it provided that:

  • The consecration and enthronement of the Archbishop of Dublin was to take place at Christ Church (records show that this provision was not always followed, with many archbishops enthroned in both, and at least two in Saint Patrick's only);
  • Christ Church had formal precedence, as the mother and senior cathedral of the diocese;
  • Christ Church was to retain the cross, mitre and ring of each deceased Archbishop of Dublin;
  • Deceased Archbishops of Dublin were to be buried alternately in each of the two cathedrals, unless they personally willed otherwise;
  • The annual consecration of chrism oil for the diocese was to take place at Christ Church;
  • The two cathedrals were to act as one, and shared equally in their freedoms.

Over the following centuries, the two cathedrals functioned together in the diocese, until in the period of disestablishment of the Church of Ireland, the current designation of one as the Cathedral of Dublin and Glendalough, and one as the National Cathedral, was developed.

History

Pre-Reformation period

The choir of St Patrick's Cathedral

In 1192, John Comyn, first Anglo-Norman Archbishop of Dublin, elevated one of the four Dublin Celtic parish churches, this one dedicated to Saint Patrick, beside a holy well of the same name and on an island between two branches of the River Poddle, to the status of a collegiate church, which is to say, a church with a body of clergy devoted to both worship and learning. The new collegiate church fell outside the City boundaries, and this move created two new civic territories, one under the Archbishop's temporal jurisdiction. The church was dedicated to "God, our Blessed Lady Mary and St Patrick" on 17 March 1191.[3]

Comyn's charter of 1191 or 1192, which allowed for a chapter of thirteen canons, of which three held special dignities (as Chancellor, Precentor and Treasurer), was confirmed by a Papal Bull (of Pope Celestine III) within a year. The thirteen prebendaries attached to the church were provided with archepiscopal lands.

Over time, a whole complex of buildings arose in the vicinity of the cathedral, including the Palace of the St Sepulchre (seat of the Archbishop), and legal jurisdiction was divided between a Liberty controlled by the Dean, around the cathedral, and a larger one belonging to the Archbishop, adjacent.

While it is not clear when precisely the church was further raised to the status of cathedral, a unique move in a city with an existing cathedral, it was probably after 1192, and Comyn's successor as Archbishop, Henry de Loundres, was elected in 1212 by the chapters of both Christ Church and St Patrick's, this election being recognised by Pope Innocent III. See below for more on the question of status. Henry granted a number of further charters to the Cathedral and Chapter between 1218 and 1220, and one of these in 1220 created the office of Dean to head the Cathedral,[4] the right of election being allocated solely to the canons of the Chapter.

The basis of the present building, as noted, the largest church in Ireland, was built between 1191 and 1270, though little now remains of the earliest work beyond the Baptistry. Much of the work was overseen by the previously mentioned Henry of London, a friend of the King of England and signatory of the Magna Carta, who was also involved in the construction of Dublin's city walls, and Dublin Castle.

An order from King Henry III in 1225 allowed the collection of donations from across the island for reconstruction for a period of four years, and the work, in the Early English Gothic style, lasted at least until rededication in 1254. The Lady Chapel was added around 1270.[5]

In 1300, Archbishop Ferings of Dublin arranged an agreement between the two cathedrals, the Pacis Compositio, which acknowledged both as cathedrals and made some provision to accommodate their shared status.[6] For more, see Status below.

The Lady Chapel

In 1311 the University of Dublin was founded here with William de Rodyard, Dean of St Patrick's, as its first Chancellor, and the Canons as its members. It never flourished, and was suppressed at the Reformation.

From the mid-14th century, and for over 500 years, the north transept of the building was used as the parish church of St Nicholas Without (which is to say the part of the Parish of St Nicholas outside the city proper).

The tower (Minot's Tower) and west nave were rebuilt between 1362 and 1370, following a fire. The name commemorates Thomas Minot, Archbishop of Dublin 1363–75, who oversaw the rebuilding.

From the very earliest years there were problems with seepage of water, with a number of floods, especially in the later years of the 18th century, caused by the surrounding branches of the River Poddle – even in the 20th century, it is reported that the water table was within seven and a half feet of the floor.[7] This situation ensured there would never be a crypt or basement area.[8]

Reformation period

Memorial to Thomas Jones, Dean of St Patrick's from 1581 to 1585

After the English Reformation, Ireland followed keenly, at least amongst the English-speakin population of Dublin. Reform reached St Patrick's in about 1537. In the 1530s some images within the cathedral were defaced at the orders of the Archbishop and the King's minister Thomas Cromwell.

The cathedral had been neglected in the preceding ages and this led to collapse of the nave in 1544. The conventionally-flexible style of the Archbishop of Dublin Hugh Curwen is instructive: he was a follower firstly of Henry's non-Lutheran church in the 1530s, then of Edward VI's full-blown Protestantism c.1550, then accepted his appointment as archbishop during Queen Mary's reversion of the church to Rome in 1555, and he continued to serve as the archbishop, using the Anglican rite from 1559, under Queen Elizabeth until 1567.

Under King Edward VI, St Patrick's Cathedral was formally suppressed, and the building demoted back to the status of parish church. On 25 April 1547, a pension of 200 marks sterling was assigned to "Sir Edward Basnet", the Dean, followed, some months later, by pensions of £60 each to Chancellor Alien and Precentor Humphrey, and £40 to Archdeacon Power. The silver, jewels, and ornaments were transferred to the Dean and Chapter of Christ Church. The King designated part of the building for use as a court house, the Cathedral Grammar School was established in the then vicar's hall and the deanery given to the archbishop, following the transfer of the Archbishop's Palace to the Lord Deputy of Ireland. In 1549, it was further ordered that the walls be repainted and inscribed with passages from the scriptures.

In 1555 a charter of Queen Mary I restored the cathedral's privileges[9] and initiated restoration and a late document of Queen Mary's reign, a deed dated 27 April 1558, comprises a release or receipt by Thomas Leverous, the new Dean, and the Chapter of St Patrick's, of the "goods, chattels, musical instruments, etc.", belonging to the Cathedral, and which had been in the possession of the Dean and Chapter of Christ Church. It was during this reign that the patronal festival of the Blessed Virgin Mary was last celebrated (in 1558).

Following the ejection of the Catholic chapter of canons in 1559, the Catholic community continued in the 1560s–1570s at least to go on nominating canons and the principal dignitaries to St Patrick's.

In 1560, one of Dublin's first public clocks was erected in "St Patrick's Steeple".

17th century

The Lady Chapel in Saint Patrick's Cathedral today

By the early 17th century, the Lady Chapel was said to have been in ruins, and the arch at the east end of the choir was closed off by a lath and plaster partition wall. There was also routine flooding and a series of galleries was added to accommodate large congregations. In 1620 the English-born judge Luke Gernon referred to the Cathedral's poor state of repair.[10]

During the stay of Oliver Cromwell in Dublin, during his conquest of Ireland the Lord Protector stabled his horses in the nave of the cathedral. This was intended to demonstrate Cromwell's contempt for the Anglican religion, which he considered not Protestant enough.

After the Restoration of the monarchy in 1660, repairs to the building were begun.

In 1666, the Cathedral Chapter offered the Lady Chapel for the use of French-speaking Huguenots who had fled to Ireland, and after some repair and preparation works, it became known as L'Eglise Française de St Patrick. A lease was signed on 23 December 1665 and was renewed from time to time until the special services ceased in 1816, by which time the Huguenots had been fully assimilated into the city population.

In 1668 the roof, in danger of collapsing, was taken down, a new roof being completed by 1671. Buttresses were erected and the west window was replaced with a perpendicular window. Then, in the 1680s, the choir was reformed. In 1688–90, during the Williamite War in Ireland, James II and his fellow Roman Catholics briefly repossessed St Patrick's. James attended mass there with his Jacobite supporters. However, the victory of the Protestant Williamites in this war meant that the cathedral was restored to Anglican ownership in 1690 when James abandoned Dublin after his defeat at the Battle of the Boyne.

18th century

Bust of [Jonathan Swift
Mid 18th century floor plan

Throughout its long history the cathedral has contributed much to Irish life, and one key aspect of this relates to the writer and satirist Jonathan Swift, author of Gulliver's Travels, who was Dean of the cathedral from 1713 to 1745. Many of his famous sermons and "Irish tracts" (such as the Drapier's Letters) were given during his stay as Dean.[11] Swift's grave and epitaph can be seen in the cathedral, along with those of his friend Stella. Swift took a great interest in the building, its services and music and in what would now be called social welfare, funding an almshouse for poor women and Saint Patrick's Hospital.

The Choir School, which had been founded in 1432, supplied many of its members to take part in the very first performance of Handel's Messiah in 1742.

In 1749, the cathedral spire was added by George Semple; it remains one of Dublin's landmarks.

In 1792, divine service was temporarily suspended due to the poor condition of the south wall, then two feet out of perpendicular, and of parts of the roof.

Chivalric chapels

  • Knights of St Patrick. From 1783 until 1871 the cathedral served as the Chapel of the Most Illustrious Order of Saint Patrick, members of which were the Knights of St Patrick. With the dis-establishment of the Church of Ireland in 1871 the installation ceremony moved to St Patrick's Hall in Dublin Castle. The heraldic banners of the knights at the time of the change still hang over the choir stalls to this day.
  • Paris-Malta obedience of the Order of Saint Lazarus (statuted 1910). The Cathedral contains the so-called Dunsany Chapel which is the spiritual home of the order in Ireland. The decoration of the chapel was provided for by Randall Plunkett, 19th Lord Dunsany, who established the order in Ireland in 1962. The cathedral is used for its investiture ceremonies and the Dean of the Cathedral is an Ecclesiastical Commander of the order.

19th century

Celtic cross discovered near the church in the 19th century
Bronze statue of Sir Benjamin Lee Guinness, 1875

By 1805, the north transept was in ruins and the south transept was in a poor condition; urgent work was carried out to the nave roof, held up by scaffolding.

In 1846, the post of Dean of Saint Patrick's was united with that of Dean of Christ Church, a situation which lasted in law until 1872.

An attempt at major restoration began under the direction of Dean Pakenham (Dean, 1843–1864), limited by poor economic circumstances. The Lady Chapel was restored, the floor (then raised several metres) reduced to its original level and other urgent matters were at least partly addressed.

In the mid-19th century, a Celtic cross was found buried near the cathedral. This has been preserved and it is thought it may have marked the site of the former holy well.

The major reconstruction, paid for by Benjamin Guinness, in 1860–65, and inspired by the fear that the cathedral was in imminent danger of collapse, means that much of the current building and decoration dates from the Victorian era; mediæval chantries were removed among other actions, and few records of the work survive today.

Though the rebuilding ensured the survival of the Cathedral, the failure to preserve records of the scale of the rebuild means that little is known as to how much of the current building is genuinely mediæval and how much is Victorian pastiche. Sir Benjamin's statue by JH Foley is outside the south door. His son Arthur (also a brewer) came in for humorous but gentle criticism when he donated a stained glass window of 'Rebecca at the well'; its motto read: 'I was thirsty and ye gave me drink'. In 1901 his son Edward created the adjacent "St Patrick's Park" from an area of decrepit housing, and donated a new set of bells to the cathedral.

The other great change for the cathedral occurred in 1871 when, following disestablishment of the Church of Ireland, the newly independent church at its general synod finally resolved the "two cathedral" issue, making Christ Church the sole and undisputed cathedral of the Dublin diocese and St Patrick's the national cathedral.

Present

The nave as viewed from the western end

The cathedral is the location for a number of public national ceremonies. Ireland's Remembrance Day ceremonies, hosted by the Royal British Legion and attended by the President of Ireland, take place there every November. Its carol service (the Service of Nine Lessons and Carols), celebrated twice in December, including every 24 December, is a colourful feature of Dublin life.

On Saturdays in autumn the cathedral hosts over twelve ceremonies at which new graduates of Dublin Institute of Technology receive their degrees.

The funerals of two Irish presidents, Douglas Hyde and Erskine Hamilton Childers, took place there in 1949[12][13] and 1974 respectively. At President Hyde's funeral, the whole of the Irish government and opposition contingent, but for Noel Browne and Erskine Childers, stayed in the foyer of the church. This was because, at the time of the funeral, the Pope forbade Roman Catholics from entering the churches of other Christian traditions.

Because President Erskine Childers died in office in 1974, his state funeral was a major state occasion. The attendance included foreign dignitaries King Baudouin of the Belgians, the Vice-President of the United States (Spiro T. Agnew representing President Nixon), Earl Mountbatten of Burma (representing Queen Elizabeth), the British Prime Minister Harold Wilson and former British prime minister Edward Heath.

In 2006, the cathedral's national prominence was used by a group of 18 Afghan migrants seeking asylum, who occupied it for several days before being persuaded to leave without trouble.

Governance

Dean and chapter

Floor of the cathedral

The cathedral is headed by the Dean and governed by the entire chapter, originally 13 in number and having been as many as 30, now numbering up to 28, whose foundation and members' rights derive from the charter of 1191 as approved by Pope Celestine in 1192.

According to the Constitution of the Church of Ireland, the dean is the "immediate ordinary of the cathedral for the purpose of directing the clergy and official and ordering the services". However, "All other matters relating to the cathedral and not otherwise provided for shall be determined in chapter".[14] The members of the chapter, which today represents in part the whole Church of Ireland, hold one of four dignities or special offices, or one of 24 prebends (22 regular, 2 ecumenical as noted below). One prebend is reserved for the Archbishop of Dublin, an unusual arrangement which is only actively used for elections of the dean.

Of the 13 original prebends, several were later reallocated, new ones created to replace them, and later, yet further prebends were designated. For many years, the chapter comprised the four dignities, the archdeacons of Dublin and Glendalough and 24 prebendaries, but the archdeacons ceased to be members based on those offices in the late 19th century.

Ecumenical canons

As noted above, in late June and early July 2007, Saint Patrick's appointed two ecumenical canons, one Presbyterian and one Roman Catholic, who can be invited by the dean to say Morning or Evening Prayer in the cathedral, read holy scripture and assist at baptisms, marriages, funerals or celebration of Holy Communion as well as participating in the meetings and decisions of the chapter.

Notable features

The Door of Reconciliation, through a hole in which the earls of Kildare and Ormond shook hands in 1492

The cathedral, which generally receives no State funding, welcomes all, with a chapel for those who come simply to pray and a small fee for those who wish to sight-see.[15] The Cathedral website mentioned in 2006 that visitor numbers had reached around 300,000 a year.

Legend has it that Saint Patrick's was the place where the expression "chancing your arm" (meaning to take a risk) originated, when Gerald Mór FitzGerald, 8th Earl of Kildare, cut a hole in a door there, still to be seen, and thrust his arm through it to shake hands in friendship, in an effort to call a truce in the Butler–FitzGerald dispute with James, Earl of Ormond in 1492.

It was outside St Patrick's that the troops of the Jacob's Garrison assembled after the Easter Rising to march to Richmond Barracks where their leader Thomas MacDonagh and his sub-officers John MacBride and Michael O'Hanrahan were condemned to death and moved to Kilmainham Gaol to be shot.

Choir school and grammar school

The current organ console

The choir school continues and although originally all-male, now also admits girls; a Cathedral Girls' Choir was founded in 2000 and sings once or twice a week. The girls are mostly drawn from either the choir school or St Patrick's Grammar School, which provides a secondary education. It is no longer compulsory for grammar school pupils to be in the choirs, although many of the girls are, and a few boys; many of the boys leave when their voice breaks. Choirboys are considered professional singers and are paid monthly for their services. The girls are not. The choir also sings very occasionally at weddings and receive payment for this. Until 1998 they received a large discount on their education; they are still offered free music lessons. While non-choirboy students had two months' holidays during the summer, half of the boys were on duty every day during the summer and had to attend choir practice and two services each weekday, one service on Saturday and two on Sunday. This arrangement was also changed in 1998.

Organ

The organ of St Patrick's Cathedral is one of the largest in Ireland with over 4,000 pipes. Parts of it date from a Renatus Harris instrument of 1695.[16] The organ was rebuilt in the 1890s by Henry Willis and Son, in consultation with Sir George Martin. It was restored in 1963 by J. W. Walker & Sons Ltd.

Friends of the cathedral

The cathedral is supported by a volunteer organisation, with both subscribing (annual and five-year) and life members, who perform various tasks and contribute materially to the work and fabric of the cathedral. In addition, there are a range of voluntary groups performing specific tasks, such as bell-ringing, welcoming of guests and cleaning.

Outside links

Commons-logo.svg
("Wikimedia Commons" has material
about St Patrick's Cathedral, Dublin)

References

  1. A History of Worship on the Site - St Patrick's Cathedral, Dublin
  2. Bewer, Stephen: 'The Unofficial Guide to Ireland' (John Wiley & Sons, 2008) ISBN 9780470285688 page 141
  3. Bernard, 1924: p. 8
  4. Bernard, 1924: p. 9
  5. Bernard, 1924: pp. 9–10
  6. Bernard, 1924: pp. 73–74
  7. Bernard, 1924: p. 10, note 3
  8. Bernard, 1924: p. 10
  9. Bernard, 1924: p. 13
  10. Gernon, Luke A Discourse of Ireland 1620 edited by C.S Falkiner 1904
  11. History of St Patrick's Cathedral by Monck Mason
  12. The State Pew at St Patrick's Cathedral
  13. Dunleavy, Janet Egleson & Gareth W. Dunleavy (1991). Douglas Hyde: A Maker of Modern Ireland. Berkeley, California: University of California Press. p. 433. http://publishing.cdlib.org/ucpressebooks/view?docId=ft2w1004tq&chunk.id=d0e7854&toc.depth=1&toc.id=&brand=ucpress. 
  14. "An ecumenical matter for St Patrick's, The Irish Times, 28 October 2011.
  15. "St Patrick's Cathedral – Opening Times and Prices". St Patrick's Cathedral. http://www.stpatrickscathedral.ie/Opening_Times.aspx. Retrieved 20 January 2015. 
  16. Day, J.G.F. and Patton, H.E.: 'The Cathedrals of the Church of Ireland', p79: (SPCK, 1932)
  • Bernard, J. H. (Provost of Trinity College Dublin and former Dean of St Patrick's); The Cathedral Church of Saint Patrick, A History & Description of the Building, with a Short Account of the Deans; London: G. Bell and Sons, 1924


Cathedrals of the Church of Ireland

Province of Armagh: ArmaghClogherDerryDownpatrickDromoreElphinEnniskillenKillalaKilmoreLisburnRaphoeSligoTuamBelfast
Province of Dublin: CashelClonfertCloyneCorkDublin, Christ ChurchFernsKildareKilkennyKillaloeLeighlinLimerickLismoreRosscarberyTrimWaterfordDublin, St Patrick's
Former cathedrals:AchonryElphinEmly