St Mary-at-Hill

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St Mary-at-Hill

London, Middlesex

St Mary-at-Hill.jpg
Church of St Mary-at-Hill, pictured in 2008
Church of England
Diocese of London
Parish:
Location
Location: 51°30’36"N, 0°5’1"W
Address: Lovat Lane
History
Baroque
Information
Website: www.stmary-at-hill.org

St Mary-at-Hill is a parish church of the Church of England in the Ward of Billingsgate in the City of London. It is situated on Lovat Lane, a cobbled street off Eastcheap.

The church was founded in the 12th century[1] as "St. Mary de Hull" or "St. Mary de la Hulle".[2] It was severely damaged in the Great Fire of London in 1666. It was only partially rebuilt and has been much altered since, although some of its mediæval fabric survives.

The Church of St Mary-at-Hill is situated among some of the City's most ancient lanes: St Mary at Hill EC3, in which has a large double-faced clock extending several feet into the street and which provides the best view of the church's elegant exterior; a narrow alleyway running alongside, but with no right of way.

The church is designated a Grade I listed building.[3] On the street St Mary at Hill, there is an adjacent Grade II brick and stone rectory of 1834 designed by James Savage, incorporating a vestry of the late 17th century.[4]

History and architecture

St Mary-at-Hill dates to 1336. The north aisle was rebuilt at the end of the 15th century, and a south aisle and steeple were added a little later. John Stow, writing at end of the 16th century, described it as "the fair church of Saint Marie, called on the Hill, because of the ascent from Billingsgate".

Interior of St Mary at Hill's dome

The Great Fire of 1666 started in the neighbouring street of Pudding Lane severely damaging the church.[5] After the blaze, the parish of St Mary's was united with that of St Andrew Hubbard, whose church was not rebuilt.

Sir Christopher Wren rebuilt the church's interior and east end,[6] managing to retain its mediæval walls on the other three sides, and the west tower to which he added a lantern. Wren included in his design a venetian window at the east end, now blocked up, and a pediment, now broken. His interior displays four free-standing corinthian columns, supporting barrel vaults in a Greek cross pattern, and a coffered central dome. The church is 96 ft long and 60 ft wide.[7]

A hoard of coins (now known as the Mary Hill Hoard) was found in a basement near St Mary-at-Hill in the 18th century.[8] The hoard included the only known example of a coin from the Horndon mint.

There have been considerable further alterations since the 17th century. In 1787–88, George Gwilt rebuilt the west wall and replaced the tower in brick and in 1826–27 James Savage installed round-headed iron-framed windows in the north wall and replaced the vaults, ceilings and plasterwork. In 1848–49 he added a cupola to the dome and cut windows through the chancel vault. In 1849, the 17th century woodwork was sympathetically augmented and adapted by W. Gibbs Rogers. In 1904 the church's parish was united with that of St George Botolph Lane, and St Mary-at-Hill received the sword rests, plate, royal arms, ironwork, organ and organ case from St George.[9] In 1939, the writer Dornford Yates used the church as a setting for some of the action in his thriller Gale Warning, calling it “St. Ives”. Use is made of the open-work screens on the roof.

The church survived the Blitz in the Second World War unscathed, but was severely damaged by a fire in 1988, after which its roof and ceiling required rebuilding. Though much of the woodwork, including box pews, survived the fire, it has not been reinstated and remains in store.[10]

Writing before St Mary's 1988 fire, John Betjeman said of the church: "This is the least spoiled and the most gorgeous interior in the City, all the more exciting by being hidden away among cobbled alleys, paved passages, brick walls, overhung by plane trees…"[11]

Music and traditions

The organ of St Mary-at-Hill

From 1510 the Chapel Royal choir sang here. The organ-builder Mighaell Glocetir worked at St Mary-at-Hill from 1477 to 1479. He is possibly the same person as Myghell Glancets who worked on St Michael, Cornhill, in 1475. The great composer Thomas Tallis was organist at St Mary-at-Hill between 1538–39. A William Hill organ was installed in 1848 and partly restored after the 1988 fire, but its complete restoration did not commence until 2000.[12] The church is a popular venue for its regular concerts and recitals.

In several books on English folklore, or about ceremonies of London, there is mention of the Costermongers' Festival held here every October. It also goes by the name "Fish Harvest Festival" or "Harvest of the Sea", associated with the fishmarket that was held at Billingsgate. Another notable ceremony is Beating the Bounds, where notables and children process around the boundary of a parish or ward on Ascension Day, carrying slender rods. Originally the children were whipped gently at points along the route. Almost every such example died out in the middle of the 19th century, but the account books of St Mary-at-Hill testify to its existence here. Four shillings were paid for the provision of fruit on the day of the "Perambulation" in 1682. In another example at Chelsea the whipped children were given four pence. Rare surviving examples of Beating the Bounds are at the nearby City Church of All Hallows-by-the-Tower (every three years), and at The Queen's Chapel of The Savoy, Westminster.

Burials

The street St Mary at Hill, named after the Church, in 1975

Parliament outlawed new burials in the City of London during the Victorian era, forcing the closure of its churchyards; in 1847 the Church purchased burials rights 'in perpetuity' in a small section of the consecrated ground at West Norwood Cemetery for the parish's own use.[13] It stood out from the main cemetery through its railed enclosure and planting, including monkey puzzle trees.

The Lambeth Council subsequently compulsorily-purchased the main cemetery and removed the memorials in this section during 1990–91. A subsequent Chancery Court hearing found this to be illegal and ordered a mechanism be set up to restore those monuments at the request of descendants.[14]

Outside links

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("Wikimedia Commons" has material
about St Mary-at-Hill)

References

  1. Bradley, Simon; Pevsner, Nikolaus (1998). London: The City Churches. New Haven: Yale University Press. p. 111. ISBN 0-300-09655-0. 
  2. [1]
  3. National Heritage List 1064600: Church of St Mary-at-Hill
  4. National Heritage List 1285645: Rectory
  5. Tucker, Tony (2006). The Visitors Guide to the City of London Churches. London: Friends of the City Churches. ISBN 0-9553945-0-3. 
  6. Tabor, Margaret E. (1917). The City Churches: a short guide. London: Swarthmore Press. p. 89. https://archive.org/details/citychurchesshor00tabo. 
  7. Godwin, George & Britton, John: 'The Churches of London: A History and Description of the Ecclesiastical Edifices of the Metropolis' (C. Tilt, 1839)
  8. Metcalf, David Michael (1998). An Atlas of Anglo-Saxon and Norman Coin Finds, c.973–1086. London: Royal Numismatic Society. p. 222. 
  9. Weinreb, Ben; Hibbert, Christopher: 'The London Encyclopaedia' (Macmillan, 1992) page 728
  10. Gavin Stamp (2016-09-02). "The unhappy fate of Christopher Wren's City churches". Apollo. https://www.apollo-magazine.com/the-unhappy-fate-of-christopher-wrens-city-churches/. Retrieved 2019-05-22. 
  11. "The Parish Church of St Mary-at-Hill Eastcheap". http://www.stmary-at-hill.org/. 
  12. William Hill's organ Mander Organs
  13. English Heritage Survey of London: volume 26 St Mary-at-Hill in West Norwood
  14. Friends of West Norwood Cemetery, Newsletter No 17, Jan 1994


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