Cleopatra's Needle
Cleopatra's Needle is an Egyptian obelisk, torn from its homeland, standing on the north bank of the River Thames in London. It is one of three similar named Egyptian obelisks; of which the others are found in New York and Paris. It long predates Queen Cleopatra and has no strict connection to her except that they stood in a temple she built in Alexandria in the first century BC, believed to have been moved there after her time. It has nevertheless attracted the name 'Cleopatra's Needle' in the popular imagination.
The obelisk is within the City of Westminster in Middlesex, on the Victoria Embankment near the Golden Jubilee Bridges. It was presented to the United Kingdom in 1819 by the ruler of Egypt and Sudan, Muhammad Ali, in commemoration of the victories of Lord Nelson at the Battle of the Nile and Sir Ralph Abercromby at the Battle of Alexandria in 1801. Although the British government welcomed the gesture, it declined to fund the expense of transporting the obelisk to London, and s its passage ws sponsored privately by Sir William James Erasmus Wilson.
Made of red granite, Cleopatra's Needle stands about 69 feet high, weighs about 224 tons[1] and is inscribed with Egyptian hieroglyphs. It was originally erected in the Egyptian city of Heliopolis on the orders of Thutmose III, around 1450 BC. The material of which it was cut is granite, brought from the quarries of Aswan, near the first cataract of the Nile. The inscriptions were added about 200 years later by Ramesses II to commemorate his military victories.
In the first century BC, Cleopatra built a temple in her capital, Alexandria, named the Caesareum in honour of Julius Caesar. In 12 BC Caesar's successor, Octavian, known as Augustus had the three obelisks moved to the temple. They were toppled some time later: this though had the fortuitous effect of burying their faces and so preserving most of the hieroglyphs from the effects of weathering.
Transport from Alexandria
The obelisk remained in Alexandria until 1877 when Sir William James Erasmus Wilson, a distinguished anatomist and dermatologist, sponsored its transportation to London from Alexandria at the staggering cost of £10,000. It was dug out of the sand in which it had been buried for nearly 2,000 years and was encased in a great iron cylinder 92 feet long and 16 feet in diameter, designed by the engineer John Dixon and dubbed Cleopatra, to be commanded by Captain Carter. It had a vertical stem and stern, a rudder, two bilge keels, a mast for balancing sails, and a deck house. This acted as a floating pontoon which was to be towed to London by the ship Olga, commanded by Captain Booth.[2]
The effort almost met with disaster on 14 October 1877, in a storm in the Bay of Biscay, when the Cleopatra began wildly rolling, and became uncontrollable. The Olga sent out a rescue boat with six volunteers, but the boat capsized and all six crew were lost – they are named on a bronze plaque attached to the foot of the needle's mounting stone. Captain Booth on the Olga eventually managed to get his ship next to the Cleopatra and rescued Captain Carter and the five crew members aboard Cleopatra. Captain Booth reported the Cleopatra "abandoned and sinking", but she stayed afloat, drifting in the Bay, until found four days later by Spanish trawler boats, and then rescued by the Glasgow steamer Fitzmaurice and taken to Ferrol in Spain for repairs. The Master of the Fitzmaurice lodged a salvage claim of £5,000 which had to be settled before departure from Ferrol, but it was negotiated down and settled for £2,000.[2] The William Watkins Ltd paddle tug Anglia, under the command of Captain David Glue, was then commissioned to tow the Cleopatra back to the Thames. On their arrival in the estuary on 21 January 1878, the school children of Gravesend in Kent were given the day off.[3]
A wooden model of the obelisk had previously been placed outside the Houses of Parliament, but the location had been rejected, so the London needle was finally erected on the Victoria Embankment on 12 September 1878.[4][5]
Erection
On erection of the obelisk in 1878, a time capsule was concealed in the front part of the pedestal containing: a set of 12 photographs of the best-looking English women of the day, a box of hairpins, a box of cigars, several tobacco pipes, a set of imperial weights, a baby's bottle, some children's toys, a shilling razor, a hydraulic jack and some samples of the cable used in the erection, a 3' bronze model of the monument, a complete set of contemporary British coins, a rupee, a portrait of Queen Victoria, a written history of the transport of the monument, plans on vellum, a translation of the inscriptions, copies of the Bible in several languages, a copy of John 3:16 in 215 languages,[6] a copy of Whitaker's Almanack, a Bradshaw Railway Guide, a map of London and copies of 10 daily newspapers.
Cleopatra's Needle is flanked by two faux-Egyptian sphinxes, designed by the architect George John Vulliamy. The sphinxes are cast in bronze and bear hieroglyphic inscriptions that say netjer nefer men-kheper-re di ankh, which translates as "the good god, Thuthmosis III given life". These sphinxes appear to be looking at the Needle rather than guarding it, due to the sphinxes' installation. The Embankment has other Egyptian flourishes, such as buxom winged sphinxes on the armrests of benches. On 4 September 1917, during the First World War, a bomb from a German air raid landed near the needle. In commemoration of this event, the damage remains unrepaired to this day and is clearly visible in the form of shrapnel holes and gouges on the right-hand sphinx. Restoration work was carried out in 2005. The original Master Stone Mason who worked on the granite foundation was Lambeth-born William Henry Gould (1822–1891).
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References
- Location map: 51°30’31"N, 0°7’13"W
- ↑ "Geology of National Parks". 3dparks.wr.usgs.gov. 21 August 2013. http://3dparks.wr.usgs.gov/nyc/parks/loc1.html. Retrieved 5 December 2013.
- ↑ 2.0 2.1 That Darn Needle! ThamesTugs.co.uk
- ↑ SS Anglia ThamesTugs.co.uk
- ↑ Pictures
- ↑ Chaney, Edward, "Roma Britannica and the Cultural Memory of Egypt: Lord Arundel and the Obelisk of Domitian", in Roma Britannica: Art Patronage and Cultural Exchange in Eighteenth-Century Rome, eds. D. Marshall, K. Wolfe and S. Russell, British School at Rome, 2011, pp. 147–70.
- ↑ Canton, William (1904). The story of the Bible Society. London: John Murray. p. 1. https://archive.org/stream/storyofthebibles00cantuoft#page/n18/mode/1up.