High Kirk of Edinburgh
|High Kirk of Edinburgh|
St. Giles, west façade
|Church of Scotland|
|Presbytery of Edinburgh|
The High Kirk of Edinburgh, commonly known as St Giles' Cathedral or as Edinburgh Cathedral is the principal place of worship of the Church of Scotland in Edinburgh. Its distinctive crown steeple is a prominent feature of the city skyline, at about a third of the way down the Royal Mile which runs from the Castle to Holyrood Palace. The church has been one of Edinburgh's religious focal points for approximately 900 years.
The present church dates from the late 14th century, though it was extensively restored in the 19th century. Today it is protected as a category A listed building. The cathedral is dedicated to Saint Giles, who in the Middle Ages was named the patron saint of Edinburgh, (as well as of cripples and lepers; he was a very popular saint in the Middle Ages).
Thoroughly reformed, the High Kirk it is regarded as the "Mother Church of Presbyterianism".
The church is the Church of Scotland's parish church for part of Edinburgh's Old Town. St Giles' was only a cathedral in its formal sense (which is to say the seat of a bishop) for two periods during the 17th century (1635–1638 and 1661–1689), when episcopalianism, backed by the Crown, had ascendancy within the Kirk. In the Middle Ages, before the Reformation, Edinburgh had no cathedral as the royal burgh was part of the Diocese of St Andrews, of which the episcopal seat was St Andrew's Cathedral. In 1689 however the office of Bishop was abolished in the Church of Scotland and with no bishop there are no cathedrals; the use of the term cathedral today is historical and honorific and carries no practical meaning. The "High Kirk" title is older, being attested well before the building's brief period as a cathedral.
The oldest parts of the building are four massive central pillars, often said to date from 1124, although there is very little evidence to this effect. In 1385 the building suffered a fire and was rebuilt in the subsequent years. Much of the current interior dates from this period. Over the years many chapels, referred to as 'aisles', were added, greatly enlarging the church and leaving it rather irregular in plan. In 1466 St Giles was established as a collegiate church. In response to this raising of status, the lantern tower was added around 1490, and the chancel ceiling raised, vaulted and a clerestory installed. By the middle of the 16th century, immediately before the Reformation arrived here, there were about fifty side altars in the church, some of which were paid for by the city's trade incorporations and dedicated to their patron saints.
At the height of the Scottish Reformation the firebrand Protestant preacher John Knox was chosen minister at St Giles by Edinburgh's Town Council and installed on 7 July 1559. From here he drove forward an uncompromising Reformation throughout the kingdom. A 19th-century stained glass window in the south wall of the church shows him delivering the funeral sermon for the Regent Moray in 1570. Knox was buried in the kirkyard of St. Giles on 24 November 1572 in the presence of the Regent Morton who, at his graveside, uttered the words, "There lies one who neither feared nor flattered any flesh". A bronze statue of Knox, cast by Pittendrigh MacGillivray in 1904, stands in the north aisle.
During the Reformation the Mary-Bell and brass candlesticks were scrapped to be made into guns, and the relic of the arm of St Giles with its diamond finger ring (acquired in 1454) and other treasures were sold to the Edinburgh goldsmiths Michael Gilbert and John Hart, and the brass lectern to Adam Fullerton, for scrap-metal. By about 1580, the church was partitioned into separate preaching halls to suit the style of reformed Presbyterian worship for congregations drawn from the quarters of Edinburgh.
The partition walls were removed in 1633 when St. Giles became the cathedral for the new bishopric of Edinburgh. In that year King Charles I instructed the Town Council:
Whereas (...) we have, by the advice of the chiefest of our clergy (...) erected at our charges a bishopric of new, to be called the Bishopric of Edinburgh; and whereas to that purpose it is very expedient that St. Giles Church, designed by us to be the Cathedral Church of that bishopric, be ordered as is decent and fit for a church of that eminency (...) and not to be indecently parcelled and disjointed by walls and partitions, as it now is, without any warrant from any of our royal predecessors. Our pleasure is that with all diligence you cause raze to the ground the east wall in the said church, and that likewise you cause raze the west wall therein, between this and Lammas ensuing.
The effect was only temporary. The internal partitions were restored in 1639 and, after several re-arrangements, lasted until the Victorian 'restoration' of 1881-3.
On Sunday 23 July 1637 efforts by Charles I and Archbishop Laud to impose Anglican services on the Church of Scotland led to the Book of Common Prayer revised for Scottish use being introduced in St Giles. Rioting in opposition began when the Dean of Edinburgh, John Hannah, began to read from the new Book of Prayer, legendarily initiated by the market-woman or street-seller Jenny Geddes throwing her stool at his head. The disturbances led to the National Covenant and hence the Bishops' Wars; the first conflicts of the Wars of the Three Kingdoms, which included the English Civil War. The 18th-century historian of Edinburgh, William Maitland, relying on the records of Edinburgh's Town Council, described the scene in an animated style:
King Charles I. being resolved to put in execution his darling scheme, of having all his people of the same religion, ordered a liturgy, or service book, with one of canons, to be prepared, for the use of the Scottish Church, which being accordingly performed, his Majesty, without further ceremony, issued a proclamation for the due observance of them throughout Scotland. This being impolitickly done, without the Privity of the Secret Council, or general approbation of the clergy; they were regarded as foreign impositions, devised by Archbishop Laud, and forced upon the nation by the sole authority of the King; which occasioned great heart-burnings and mighty commotions amongst the people. (...) And the twenty third [of July] being the day appointed for its reading in St. Giles’s Church; in the morning of that day, the usual prayers were read by Patrick Henderson the common Reader; which were no sooner ended, than Henderson, by way of farewel, said to his auditory, Adieu good people; for I think this is the last time of my reading prayers in this place, which occasioned a great murmuring in the Congregation. (...) No sooner had James Hannay, Dean of Edinburgh, appeared in his surplice, and began to read the service, than a number of women, with clapping of hands, execrations, and hideous exclamations, raised a great confusion in the church, which Dr. Lindsay Bishop of Edinburgh willing to appease, stept into the pulpit, and reminded people of the sanctity of the place: But this, instead of calming, inraged them to such a degree that Janet Geddes, a furious woman, ushered in the dreadful and destructive civil war, by throwing a stool at the Bishop’s head: And had it not been for the magistrates of Edinburgh, who turned out the frantick multitude, they would probably have murdered him; but such was the noise without, by knocking at the doors, throwing stones in at the windows, and incessant cries of Pape, Pape, Antichrist, pull him down, that the said magistrates were obliged to go out to appease their fury. But the populace watching his return homewards, renewed the assault, that, had he not been rescued by a superior force, they would undoubtedly have dispatched him. Thus began those horrible troubles, which ended in the destruction of the King, subversion of the Church and State, and loss of the rights and liberties of the people.
In the late 17th century a carillon was made for the cathedral by James Meikle, capable of playing the bells in tunes. (On 1st May in 1707 when the Acts of Union took effect to unite kingdoms of Scotland and England, the bells of St Giles were played to the popular tune Why should I be so sad on my wedding day?)
The building continued to be divided. In the late 18th century it consisted of four separate churches named the East or New Kirk, the Mid or Old Kirk, the Tolbooth Kirk, and West St. Giles' Kirk (also known as Haddo's Hole Kirk).
Writing at the end of the 18th century, the historian Hugo Arnot described St Giles as "disfigured by low booths, built adjoining to the walls of the church, possessed by jewellers.". Henry Cockburn described small shops extending round St Giles into Parliament Close, where in the 17th century one of them had belonged to the goldsmith George Heriot, to whom King James VI was in the habit of paying social visits.
By the 1820s, with the demolition of the Luckenbooths from the High Street and removal of the shops in Parliament Close, the exterior of St Giles was fully exposed for the first time in centuries and could be seen to be in poor condition and an embarrassment to the city. In 1829, architect William Burn was appointed to carry out a restoration and to beautify and preserve the building. This process demolished some chapels to improve the symmetry of the external appearance, inserted new, more standard, window openings and tracery, and encased much of the exterior in a skin of smooth ashlar.
During the years 1872-83, Sir William Chambers, Lord Provost of Edinburgh, planned and financed a further major restoration with the aim of creating a national church building: "a Westminster Abbey for Scotland." Chambers approached the City Architect, Robert Morham to recreate a single volume from the existing subdivided spaces. He hired architects William Hay and George Henderson to oversee his plans. The building was cleaned and old galleries and partition walls were removed, creating a single interior space for the first time since the 1630s.
The Thistle Chapel is the chapel of The Most Ancient and Most Noble Order of the Thistle, Scotland's foremost Order of Chivalry. The chapel was built in 1911 to designs by Robert Lorimer, at the southeast corner of the church. It is small, but exquisite, with carved and painted fittings of extraordinary detail. One figure depicts an angel playing bagpipes. The Order, which was founded by King James VII in 1687, consists of The Queen and 16 knights. The knights are the personal appointment of the monarch, and are normally Scots who have made a significant contribution to national or international affairs.
In the later 19th century, stained glass began to be put into the windows which had been largely clear or plain since the Reformation. This was a radical move in a Presbyterian church where such decorations were regarded with great suspicion. They were finally allowed on the basis that they illustrated Bible stories and were as such an aid to teaching, and not flippant decoration, or worse still perceived idolatry. Only a small number of windows were completed as part of the 19th-century restoration, but this began a process that resulted in the vast majority of windows containing stained glass by the middle of the 20th century.
The windows were planned to form a continuous narrative starting in the northeast corner and finishing on the northwest side. One of the last windows of this plan depicts St Andrew, the patron saint of Scotland, holding his cross with, on either side of him, St Columba and King David I (accorded the status of a popular saint). The depiction of saints, rather than Bible stories alone, by the mid 20th century shows how much attitudes to decoration had changed in the intervening period. St Andrew wears a flowing peacock-blue cassock and his features are modelled after prominent Edinburgh physician James Jamieson. Unusually, this window was funded by a grateful patient who insisted that St Andrew bear the features of the doctor. Below St Andrew are depicted St Giles, with his hind (a traditional association), and St Cuthbert. The dedication beneath the St Andrew window states: "James Jamieson Fellow of the Royal College of Surgeons Edinburgh and Elder of the Kirk, born 1841, in Bowden, and died 1903".
A framed copy of the National Covenant of 1638 is on view in the cathedral.
Notable monuments include those to James Graham, 1st Marquis of Montrose (1612–50), his arch-enemy Archibald Campbell, 1st Marquis of Argyll (1607–61) and the 19th-century author Robert Louis Stevenson (1850–94).
The Protestant Reformer, John Knox, was buried in the old kirkyard, now a car park for the High Court of Justiciary. The approximate position of his grave is marked by an engraved stone set in the tarmac. Bishop William Forbes the first Bishop of Edinburgh was also buried here.
| ("Wikimedia Commons" has material|
about High Kirk of Edinburgh)
- St. Giles' Cathedral
- St. Giles' from Gordon of Rothiemay's map of Edinburgh c.1647
- St Giles' Church, historical photos at EdinPhoto
- Hay, George (1976). "The late mediæval development of St. Giles". Proceedings of the Society of Antiquaries of Scotland 107: 242–260. http://ads.ahds.ac.uk/catalogue/adsdata/arch-352-1/dissemination/pdf/vol_107/107_242_260.pdf.
- "St Giles Cathedral - Building and History". http://www.stgilescathedral.org.uk/history/. Retrieved 2011-11-19.
- "St. Giles' Cathedral". St Giles' Cathedral. http://www.stgilescathedral.org.uk/. Retrieved 2008-04-08.
- M Lynch, Scotland, A New History, Pimlico, London 2000, p.196
- J H S Burleigh, A Church History of Scotland, OUP 1960, p.195
- Extracts from the Records 1560, Jan-June
- Edinburgh Records - Burgh Accounts, vol. 2, Edinburgh (1899), ix-xiii, 91-92, 117-118; Reformation building works,92-166.
- A M Mackenzie, Scottish Pageant 1625-1707, Oliver & Boyd 1949, pp.102-03
- Gifford, McWilliam, Walker, The Buildings of Scotland, Edinburgh, London 1984
- W Maitland, History of Edinburgh, Hamilton, Balfour & Neil, Edinburgh 1753, p.71
- from Sir John Clerk, Memoirs, 1676-1755, ed. John M Gray, quoted in N McCallum, A Small Country, Scotland 1700-1830, Edinburgh 1983, p.16
- H M Milne (ed.), Boswell's Edinburgh Journals 1767-1786, Mercat Press 2001, p.6
- H Arnot, The History of Edinburgh 1799, reprint Edinburgh 1998, p.172
- H Cockburn, Memorials Of His Time, Edinburgh 1856, p.108
- E F Catford, Edinburgh, The story of a city, London 1975, p.45
- Buildings of Scotland: Edinburgh by McWilliam Gifford and Walker
|"Cathedrals" of the Church of Scotland|