British Museum

British Museum
Middlesex
Type:	Museum
Location
Grid reference:	TQ30068172
Location:	51°31’10"N, 0°7’37"W
History
Address:	Great Russell Street, London
	Built 1825–50
	Museum
Information
Website:	britishmuseum.org

The British Museum is a museum dedicated to human history, art, and culture, located in the Bloomsbury area of London.

The Great Court of the British Museum

The museum's permanent collection, numbering some eight million works, is among the largest and most comprehensive in existence and originates from all continents, illustrating and documenting the story of human culture from its beginnings to the present.

The British Museum was established in 1753, largely based on the collections of the physician and scientist Sir Hans Sloane. The museum first opened to the public on 15 January 1759, in Montagu House in Bloomsbury, on the site of the current museum building. Its expansion over the following two and a half centuries was largely a result of an expanding British colonial footprint and has resulted in the creation of several branch institutions, the first being the British Museum (Natural History) in South Kensington in 1881.

In 1973, the British Library Act 1972 detached the library department from the British Museum, to create the British Library as a separate institution: until 1997 though the library continued within the museum grounds, within the famous circular Reading Room. The Reading Room today is the hub of the Great Court and used for temporary specialist exhibitions.

Institutionally, the museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport, governed by a Board of Trustees. It and charges no admission fee, except for loan exhibitions.

History

Hans Sloane, founder of the British Museum

Sir Hans Sloane

Although today principally a museum of cultural art objects and antiquities, the British Museum was founded as a "universal museum". Its foundations lie in the will of the Irish-born physician and naturalist Sir Hans Sloane (1660–1753). During the course of his lifetime Sloane gathered an enviable collection of curiosities and, not wishing to see his collection broken up after death, he bequeathed it to King George II, for the nation, for a sum of £20,000.

At that time, Sloane's collection consisted of around 71,000 objects of all kinds including some 40,000 printed books, 7,000 manuscripts, extensive natural history specimens including 337 volumes of dried plants, prints and drawings including those by Albrecht Dürer and antiquities from the Sudan, Egypt, Greece, Rome, the Ancient Near and Far East and the Americas.

Foundation (1753)

On 7 June 1753, King George II gave his formal assent to the British Museum Act 1753, which added to Sloane's collection Cottonian Library (assembled by Sir Robert Cotton and dating back to Elizabethan times) and the Harleian library (the collection of the Earls of Oxford). They were joined in 1757 by the Royal Library, assembled by various monarchs. Together these four "foundation collections" included many of the most treasured books now in the British Library including the Lindisfarne Gospels and the sole surviving copy of Beowulf.

Montagu House, c. 1715

The British Museum was the first of a new kind of museum – national, belonging to neither church nor king, freely open to the public and aiming to collect everything. Sloane's collection, while including a vast miscellany of objects, tended to reflect his scientific interests. The addition of the Cotton and Harley manuscripts introduced a literary and antiquarian element and meant that the British Museum now became both National Museum and library.

Cabinet of curiosities (1753–78)

The Rosetta Stone on display in 1874

The body of trustees decided on a converted 17th-century mansion, Montagu House, as a location for the museum, which it bought from the Montagu family for £20,000. The Trustees rejected Buckingham House, on the site now occupied by Buckingham Palace, on the grounds of cost and the unsuitability of its location.

With the acquisition of Montagu House the first exhibition galleries and reading room for scholars opened on 15 January 1759. In 1757, King George II gave the Old Royal Library and with it the right to a copy of every book published in the country, thereby ensuring that the Museum's library would expand indefinitely. During the few years after its foundation the British Museum received several further gifts, including the Thomason Collection of Civil War Tracts and David Garrick's library of 1,000 printed plays. The predominance of natural history, books and manuscripts began to lessen when in 1772 the Museum acquired for £8,400 its first significant antiquities in Sir William Hamilton's "first" collection of Greek vases.

Indolence and energy (1778–1800)

From 1778, a display of objects from the South Seas brought back from the round-the-world voyages of Captain James Cook and the travels of other explorers fascinated visitors with a glimpse of previously unknown lands. The bequest of a collection of books, engraved gems, coins, prints and drawings by Clayton Mordaunt Cracherode in 1800 did much to raise the Museum's reputation; but Montagu House became increasingly crowded and decrepit and it was apparent that it would be unable to cope with further expansion.

The museum’s first notable addition towards its collection of antiquities, since its foundation, was by Sir William Hamilton (1730–1803), British Ambassador to Naples, who sold his collection of Greek and Roman artefacts to the museum in 1784 together with a number of other antiquities and natural history specimens. A list of donations to the Museum, dated 31 January 1784, refers to the Hamilton bequest of a "Colossal Foot of an Apollo in Marble". It was one of two antiquities of Hamilton's collection drawn for him by Francesco Progenie, a pupil of Pietro Fabris, who also contributed a number of drawings of Mount Vesuvius sent by Hamilton to the Royal Society in London.

Growth and change (1800–25)

The Mausoleum of Halicarnassus Room, 1920s

In the early 19th century the foundations for the extensive collection of sculpture began to be laid and Greek, Roman and Egyptian artefacts dominated the antiquities displays. After the defeat of the French campaign in the Battle of the Nile, in 1801, the British Museum acquired more Egyptian sculptures and in 1802 King George III presented the Rosetta Stone – key to the deciphering of hieroglyphs. Gifts and purchases from Henry Salt, British consul general in Egypt, began with the colossal bust of Ramesses II in 1818: its arrival in London and striking appearance inspired Shelley's poem Ozymandias. These gifts laid the foundations of the collection of Egyptian Monumental Sculpture. Many Greek sculptures followed, notably the first purpose-built exhibition space, the Charles Towneley collection, much of it Roman sculpture, in 1805. In 1806, Thomas Bruce, 7th Earl of Elgin, ambassador to the Ottoman Empire from 1799 to 1803 removed the large collection of marble sculptures from the Parthenon, on the Acropolis in Athens and brought them to Britain. In 1816 these masterpieces of western art, were acquired by The British Museum by Act of Parliament and deposited in the museum thereafter. The collections were supplemented by the Bassae frieze from Phigaleia, Greece in 1815. The Ancient Near Eastern collection also had its beginnings in 1825 with the purchase of Assyrian and Babylonian antiquities from the widow of Claudius James Rich.

In 1802 a Buildings Committee was set-up to plan for expansion of the museum, and further highlighted by the donation in 1822 of the King's Library, personal library of King George III's, comprising 65,000 volumes, 19,000 pamphlets, maps, charts and topographical drawings. The neoclassical architect, Sir Robert Smirke, was asked to draw up plans for an eastern extension to the Museum "... for the reception of the Royal Library, and a Picture Gallery over it ..." and put forward plans for today's quadrangular building, much of which can be seen today. The dilapidated Old Montagu House was demolished and work on the King's Library Gallery began in 1823. The extension, the East Wing, was completed by 1831. However, following the founding of the National Gallery, London in 1824, the proposed Picture Gallery was no longer needed, and the space on the upper floor was given over to the natural history collections.

The largest building site in Europe (1825–50)

The Grenville Library, 1875

The Museum became a construction site as Sir Robert Smirke's grand neo-classical building gradually arose. The King's Library, on the ground floor of the East Wing, was handed over in 1827, and was described as one of the finest rooms in London. Although it was not fully open to the general public until 1857, special openings were arranged during The Great Exhibition of 1851. In spite of dirt and disruption the collections grew, outpacing the new building.

In 1840, the Museum became involved in its first overseas excavations, Charles Fellows's expedition to Xanthos, in Asia Minor, whence came remains of the tombs of the rulers of ancient Lycia, among them the Nereid and Payava monuments. In 1857, Charles Newton was to discover the 4th-century BC Mausoleum of Halikarnassos, one of the Seven Wonders of the Ancient World. In the 1840s and 1850s the Museum supported excavations in Assyria by A.H. Layard and others at sites such as Nimrud and Nineveh. Of particular interest to curators was the eventual discovery of Ashurbanipal's great library of cuneiform tablets, which helped to make the Museum a focus for Assyrian studies.

Sir Thomas Grenville (1755–1846), a Trustee of The British Museum from 1830, assembled a library of 20,240 volumes, which he left to the Museum in his will. The books arrived in January 1847 in twenty-one horse-drawn vans. The only vacant space for this large library was a room originally intended for manuscripts, between the Front Entrance Hall and the Manuscript Saloon. The books remained here until the British Library moved to St Pancras in 1998.

Collecting from the wider world (1850–75)

The opening of the forecourt in 1852 marked the completion of Robert Smirke's 1823 plan, but already adjustments were having to be made to cope with the unforeseen growth of the collections. Infill galleries were constructed for Assyrian sculptures and Sydney Smirke's Round Reading Room, with space for a million books, opened in 1857. Because of continued pressure on space the decision was taken to move natural history to a new building in South Kensington, which would later become the 'British Museum (Natural History)', now commonly known as the Natural History Museum.

Roughly contemporary with the construction of the new building was the career of a man sometimes called the "second founder" of the British Museum, the Italian librarian Anthony Panizzi. Under his supervision, the British Museum Library (now part of the British Library) quintupled in size and became a well-organised institution worthy of being called a national library, the largest library in the world after the National Library of Paris. The quadrangle at the centre of Smirke's design proved to be a waste of valuable space and was filled at Panizzi's request by a circular Reading Room of cast iron, designed by Smirke's brother, Sydney Smirke.

Until the mid-19th century, the Museum's collections were relatively circumscribed but, in 1851, with the appointment to the staff of Augustus Wollaston Franks to curate the collections, the Museum began for the first time to collect British and European mediæval antiquities, prehistory, branching out into Asia and diversifying its holdings of ethnography. A real coup for the museum was the purchase in 1867, over French objections, of the Duke of Blacas's wide-ranging and valuable collection of antiquities. Overseas excavations continued and John Turtle Wood discovered the remains of the 4th century BC Temple of Artemis at Ephesus, another Wonder of the Ancient World.

Scholarship and legacies (1875–1900)

Renaissance metalware from the Waddesdon Bequest

The natural history collections were an integral part of the British Museum until their removal to the new British Museum (Natural History), now the Natural History Museum, in 1887. With the departure and the completion of the new White Wing (fronting Montague Street) in 1884, more space was available for antiquities and ethnography and the library could further expand. This was a time of innovation as electric lighting was introduced in the Reading Room and exhibition galleries.

The William Burges collection of armoury was bequeathed to the museum in 1881. In 1882, the Museum was involved in the establishment of the independent Egypt Exploration Fund (now Society) the first British body to carry out research in Egypt. A bequest from Miss Emma Turner in 1892 financed excavations in Cyprus. In 1897 the death of the great collector and curator, A.W. Franks, was followed by an immense bequest of 3,300 finger rings, 153 drinking vessels, 512 pieces of continental porcelain, 1,500 netsuke, 850 inro, over 30,000 bookplates and miscellaneous items of jewellery and plate, among them the Oxus Treasure.

In 1898, Baron Ferdinand de Rothschild bequeathed the Waddesdon Bequest, the glittering contents from his New Smoking Room at Waddesdon Manor. This consisted of almost 300 pieces of objets d'art et de vertu which included exquisite examples of jewellery, plate, enamel, carvings, glass and maiolica, among them the Holy Thorn Reliquary, probably created in the 1390s in Paris for John, Duke of Berry. The collection was in the tradition of a schatzkammer or treasure house such as those formed by the Renaissance princes of Europe. Baron Ferdinand's will was most specific, and failure to observe the terms would make it void, the collection should be:

placed in a special room to be called the Waddesdon Bequest Room separate and apart from the other contents of the Museum and thenceforth for ever thereafter, keep the same in such room or in some other room to be substituted for it.

These terms are still observed, and the collection occupies room 45, although it will move to new quarters in 2015.

New century, new building (1900–25)

Opening of The North Wing, 1914

Sir Leonard Woolley holding the Sumerian Queen's Lyre, 1922

By the last years of the 19th century, The British Museum's collections had increased so much that the Museum building was no longer big enough for them. In 1895 the trustees purchased the 69 houses surrounding the Museum with the intention of demolishing them and building around the West, North and East sides of the Museum. The first stage was the construction of the northern wing beginning 1906.

All the while, the collections kept growing. Emil Torday collected in Central Africa, Aurel Stein in Central Asia, D.G. Hogarth, Leonard Woolley and T. E. Lawrence excavated at Carchemish. Around this time, the American collector and philanthropist J Pierpont Morgan donated a substantial number of objects to the museum, including William Greenwell's collection of prehistoric artefacts from across Europe which he had purchased for £10,000 in 1908. Morgan had also acquired a major part of Sir John Evans's coin collection, which was later sold to the museum by his son John Pierpont Morgan Junior in 1915. In 1918, because of the threat of wartime bombing, some objects were evacuated to a Postal Tube Railway at Holborn, the National Library of Wales (Aberystwyth) and a country house near Great Malvern, Worcestershire. On the return of antiquities from wartime storage in 1919 some objects were found to have deteriorated. A temporary conservation laboratory was set up in May 1920 and became a permanent department in 1931. It is today the oldest in continuous existence. In 1923, the British Museum welcomed over one million visitors.

Disruption and reconstruction (1925–50)

New mezzanine floors were constructed and book stacks rebuilt in an attempt to cope with the flood of books. In 1931, the art dealer Sir Joseph Duveen offered funds to build a gallery for the Elgin Marbles: designed by the American architect John Russell Pope, it was completed in 1938. The appearance of the exhibition galleries began to change as dark Victorian reds gave way to modern pastel shades. However, in August 1939, due to the imminence of war and the likelihood of air-raids the Elgin Marbles along with Museum's most valued collections were dispersed to secure basements, country houses, Aldwych tube station, the National Library of Wales and a quarry. The evacuation was timely, for in 1940 the Duveen Gallery was severely damaged by bombing. The Museum continued to collect from all countries and all centuries: among the most spectacular additions were the 2600 BC Mesopotamian treasure from Ur, discovered during Leonard Woolley's 1922–34 excavations. Gold, silver and garnet grave goods from the Anglo-Saxon ship burial at Sutton Hoo (1939) and late Roman silver tableware from Mildenhall, Suffolk (1946). The immediate post-war years were taken up with the return of the collections from protection and the restoration of the museum after the Blitz. Work also began on restoring the damaged Duveen Gallery.

A new public face (1950–75)

In 1953, the Museum celebrated its bicentenary. The first full-time in house designer and publications officer were appointed in 1964, A Friends organisation was set up in 1968, an Education Service established in 1970 and publishing house in 1973. In 1963, a new Act of Parliament introduced administrative reforms. It became easier to lend objects, the constitution of the Board of Trustees changed and the Natural History Museum became fully independent. By 1959 the Coins and Medals office suite, completely destroyed during the war, was rebuilt and re-opened, attention turned towards the gallery work with new tastes in design leading to the remodelling of Robert Smirke's Classical and Near Eastern galleries. In 1962 the Duveen Gallery was finally restored and the Parthenon Sculptures, the Elgin Marbles, were moved back into it, once again at the heart of the museum.

By the 1970s the Museum was again expanding. More services for the public were introduced; visitor numbers soared, with the temporary exhibition "Treasures of Tutankhamun" in 1972, attracting 1,694,117 visitors, the most successful in British history. In the same year the Act of Parliament establishing the British Library was passed, separating the collection of manuscripts and printed books from the British Museum. This left the Museum with antiquities; coins, medals and paper money; prints & drawings; and ethnography. A pressing problem was finding space for additions to the library which now required an extra mile and quarter of shelving each year. A new British Library was created at St Pancras, though but the books did not leave the museum until 1997.

The Great Court

After the British Library moved out, it left a good deal of space and created the opportunity to enclose the vacant space in Robert Smirke's 19th-century central quadrangle: by raising a huge, ingeniously crafted glass roof over the whole open quadrangle, the space was transformed into the Queen Elizabeth II Great Court – the largest covered square in Europe. The Great Court opened in 2000. The ethnography collections, which had been housed in the short-lived Museum of Mankind at 6 Burlington Gardens from 1970, were returned to new purpose-built galleries in the museum in 2000.

The Museum again readjusted its collecting policies as interest in "modern" objects: prints, drawings, medals and the decorative arts reawakened. Ethnographical fieldwork was carried out in places as diverse as New Guinea, Madagascar, Romania, Guatemala and Indonesia and there were excavations in the Near East, Egypt, Sudan and the British Isles. The Weston Gallery of Roman Britain, opened in 1997, displayed a number of recently discovered hoards which demonstrated the richness of what had been considered an unimportant part of the Roman Empire. The Museum turned increasingly towards private funds for buildings, acquisitions and other purposes.

The British Museum today

Today the museum no longer houses collections of natural history, and the books and manuscripts it once held now form part of the independent British Library. The Museum nevertheless preserves its universality in its collections of artefacts representing the cultures of the world, ancient and modern. The original 1753 collection has grown to over thirteen million objects at the British Museum, 70 million at the Natural History Museum and 150 million at the British Library.

The Round Reading Room, which was designed by the architect Sydney Smirke, opened in 1857. For almost 150 years researchers came here to consult the Museum's vast library. The Reading Room closed in 1997 when the national library (the British Library) moved to a new building at St Pancras. Today it has been transformed into an exhibition space.

As part of its very large website, the museum has the largest online database of objects in the collection of any museum in the world, with 2,000,000 individual object entries, 650,000 of them illustrated, online at the start of 2012. There is also a "Highlights" database with longer entries on over 4,000 objects, and several specialised online research catalogues and online journals (all free to access). In 2013 the museum's website received 19.5 millions visits, an increase of 47% from the previous year.

Plans were announced in September 2014 to recreate the entire building along with all exhibits in the video game Minecraft in conjunction with members of the public.

Building

The main entrance to the museum

The Greek Revival façade facing Great Russell Street is a characteristic building of Sir Robert Smirke, with 44 columns in the Ionic order 45 feet high, closely based on those of the temple of Athena Polias at Priene in Asia Minor. The pediment over the main entrance is decorated by sculptures by Sir Richard Westmacott depicting The Progress of Civilisation, consisting of fifteen allegorical figures, installed in 1852.

The construction commenced around the courtyard with the East Wing (The King's Library) in 1823–1828, followed by the North Wing in 1833–1838, which originally housed among other galleries a reading room, now the Wellcome Gallery. Work was also progressing on the northern half of the West Wing (The Egyptian Sculpture Gallery) 1826–1831, with Montagu House demolished in 1842 to make room for the final part of the West Wing, completed in 1846, and the South Wing with its great colonnade, initiated in 1843 and completed in 1847, when the Front Hall and Great Staircase were opened to the public. The Museum is faced with Portland stone, but the perimeter walls and other parts of the building were built using Haytor granite from Dartmoor in Devon, transported by the unique Haytor Granite Tramway.

In 1846 Robert Smirke was replaced as the Museum's architect by his brother Sydney Smirke, whose major addition was the Round Reading Room 1854–1857; at 140 feet in diameter it was then the widest dome in the world after the Pantheon in Rome, which exceeds its width only slightly.

The next major addition was the White Wing 1882–1884 added behind the eastern end of the South Front, the architect being Sir John Taylor.

In 1895, Parliament gave the Museum Trustees a loan of £200,000 to purchase from the Duke of Bedford all 69 houses which backed onto the Museum building in the five surrounding streets – Great Russell Street, Montague Street, Montague Place, Bedford Square and Bloomsbury Street. The Trustees planned to demolish these houses and to build around the West, North and East sides of the Museum new galleries that would completely fill the block on which the Museum stands. The architect Sir John James Burnet was petitioned to put forward ambitious long-term plans to extend the building on all three sides. Most of the houses in Montague Place were knocked down a few years after the sale. Of this grand plan only the Edward VII galleries in the centre of the North Front were ever constructed, these were built 1906–14 to the design by J.J. Burnet, and opened by King George V and Queen Mary in 1914. They now house the Museum's collections of Prints and Drawings and Oriental Antiquities. There was not enough money to put up more new buildings, and so the houses in the other streets are nearly all still standing.

The Reading Room and Great Court roof

The Duveen Gallery, sited to the west of the Egyptian, Greek & Assyrian sculpture galleries, was designed to house the Elgin Marbles by the American Beaux-Arts architect John Russell Pope. Although completed in 1938, it was hit by a bomb in 1940 and remained semi-derelict for 22 years, before reopening in 1962. Other areas damaged during Second World War bombing included: in September 1940 two unexploded bombs hit the Edward VII galleries, the King's Library received a direct hit from a high explosive bomb, incendiaries fell on the dome of the Round Reading Room but did little damage; on the night of 10 to 11 May 1941 several incendiaries fell on the south west corner of the Museum, destroying the book stack and 150,000 books in the courtyard and the galleries around the top of the Great Staircase – this damage was not fully repaired until the early 1960s.

The Queen Elizabeth II Great Court is a covered square at the centre of the British Museum designed by the engineers Buro Happold and the architects Foster and Partners. The Great Court opened in December 2000 and is the largest covered square in Europe. The roof is a glass and steel construction with 1,656 uniquely shaped panes of glass. At the centre of the Great Court is the Reading Room vacated by the British Library, its functions now moved to St Pancras. The Reading Room, when not used for exhibitions, is open to any member of the public who wishes to read there.

External view of the World Conservation and Exhibition Centre

Today, the British Museum has grown to become one of the largest museums in the world, covering an area of over 990,000 sq ft. In addition to 232,000 sq ft of on-site storage space, and 101,000 sq ft of external storage space. Altogether the British Museum showcases on public display less than 1% of its entire collection, approximately 50,000 items. There are nearly one hundred galleries open to the public, representing 2 miles of exhibition space, although the less popular ones have restricted opening times. However, the lack of a large temporary exhibition space has led to the £135 million World Conservation and Exhibition Centre to provide one and to concentrate all the Museum's conservation facilities into one Conservation Centre. This project was announced in July 2007, with the architects Rogers Stirk Harbour and Partners. It was granted planning permission in December 2009 and was completed in time for the Viking exhibition in March 2014.

Blythe House in West Kensington is used by the Museum for off-site storage of small and medium-sized artefacts, and Franks House in East London is used for storage and work on the "Early Prehistory" – Palaeolithic and Mesolithic – and some other collections.

Galleries

Building

• 
  Main Staircase, Discobolus of Myron (the Discus-Thrower)
• 
  British Museum Reading Room
• 
  Ceiling of the Great Court and the black siltstone obelisks of Nectanebo II, c. 350 BC
• 
  Detail of an Ionic capital on a pilaster in the Great Court
• 
  African Garden – created by BBC programme Ground Force

Museum Galleries

Department of Ancient Egypt and Sudan

• 
  Room 4 – Egyptian Sculpture, view towards the Assyrian Transept
• 
  Room 4
• 
  Room 4

Department of the Middle East

• 
  The British Museum, Room 6 – Assyrian Sculpture
• 
  Room 8 – Pair of Lamassu from Nimrud & reliefs from the palace of Tiglath-Pileser III
• 
  Room 7 – Reliefs from the North-west palace of Ashurnasirpal II, Nimrud
• 
  Room 89 – Nimrud & Nineveh Palace Reliefs
• 
  Room 10 – Nineveh, The Royal Lion Hunt

Department of Greece and Rome

• 
  Room 18 – Ancient Greece
• 
  Room 20a – Tomb of Merehi & Greek Vases, Lycia, 360 BC
• 
  Room 85 – Portrait Sculpture, Roman
• 
  Room 83 – Roman Sculpture
• 
  Room 84 – Towneley Roman Sculptures
• 
  Main Staircase – Discobolus, Roman
• 
  Main Staircase – Townley Caryatid, Roman, AD 140–160

Exhibitions

Forgotten Empire Exhibition (October 2005 – January 2006)

• 
  Room 5 – Exhibitions Panorama
• 
  Room 5 – The Persepolis Casts
• 
  Room 5 – Exhibitions Relics
• 
  Room 5 – The Cyrus Cylinder

Outside links

("Wikimedia Commons" has material about British Museum)

• 360° panoramas and images from 14 rooms in the British Museum
• The British Museum - from The Survey of London
• British Museum elevation
• The British Museum Trust Ltd - Registered Charity no. 1140844 at the Charity Commission
• Works by British Museum at Project Gutenberg

References

• Anderson, Robert (2005). The Great Court and the British Museum. London: The British Museum Press
• Arrowsmith, Rupert Richard. Modernism and the Museum: Asian, African and Pacific Art and the London Avant Garde. Oxford University Press, 2011, pp. 103–164. ISBN 978-0-19-959369-9.
• Arrowsmith, Rupert Richard. "The Transcultural Roots of Modernism: Imagist Poetry, Japanese Visual Culture, and the Western Museum System", Modernism/modernity Volume 18, Number 1, January 2011, pp. 27–42. Template:ISSN.
• Caygill, Marjorie (2006). The British Museum: 250 Years. London: The British Museum Press
• Caygill, Marjorie (2002). The Story of the British Museum. London: The British Museum Press
• Cook, B. F. (2005). The Elgin Marbles. London: The British Museum Press
• Esdaile, Arundell (1946) The British Museum Library: a Short History and Survey. London: Allen & Unwin
• Jenkins, Ian (2006). Greek Architecture and its Sculpture in The British Museum. London: The British Museum Press
• Francis, Frank, ed. (1971) Treasures of the British Museum. London: Thames & Hudson (rev. ed., 1975)
• Moser, Stephanie (2006). Wondrous Curiosities: Ancient Egypt at The British Museum. Chicago: The University of Chicago Press
• Reade, Julian (2004). Assyrian Sculpture. London: The British Museum Press
• Reeve, John (2003). The British Museum: Visitor's Guide. London: The British Museum Press
• Wilson, David M. (2002). The British Museum: a history. London: The British Museum Press