George Price Boyce: At Binsey, near Oxford
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Artist |
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Title |
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Object type |
painting / watercolor painting |
Genre |
landscape art |
Description |
English: Boyce studied architecture on the Continent. A fortuitous meeting with David COX at Bettws-y-Coed in 1849 encouraged him to take up landscape painting. From 1851 to 1875 Boyce kept a diary (extracts published in O.W.S. Club Vol.XIX, 1941) which gives us intimate pictures of RUSKIN, MILLAIS, Holman HUNT, William Morris (1834-96), Algernon Swinburne (1837-1909), WHISTLER and, above all, ROSSETTI. The meticulous style of Boyce’s painting was clearly influenced by the Pre-Raphaelites. The Tate exhibition catalogue by Christopher Newall and Judy Egerton quotes Staley’s opinion that this is a very good example of ‘the sense of intimacy’ which Boyce gives his subjects by restricting the space he allows them. EJ/CB |
Date |
September 1862 date QS:P571,+1862-09-00T00:00:00Z/10 |
Medium |
watercolor and ink on paper |
Dimensions |
31.1 × 53.7 cm (12.2 × 21.1 in) |
Collection |
Trustees of the Cecil Higgins Art Gallery, Bedford |
Accession number |
P.188 |
Object history |
Bought from the artist by J. Stewart Hodgson 1863; Robert Frank; Marquess of Sligo; P&D Colnaghi, from whom purchased by Gallery, April 1958. |
Exhibition history |
Paris Universal Exhibition, 1867, no.8; OWCS Summer Exhibition, 1864, no.106; George Price Boyce, London, Tate Gallery, 1987, no.35; Victorian Painting, Munich, Neue Pinakothek Museum and Madrid, The Prado, 1993, no.57. |
Inscriptions |
Signature and date:
G.P.Boyce Sep.1862
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References |
A. Staley, The Pre-Raphaelite Landscape, 1973, p.109, pl.55b; G. Grigson, Britain Observed, 1975, p.138, pl.99; G. Reynolds, English Watercolours, 1988, pl.110; J. Treuherz, Victorian Paintings, 1993, pp.91-2, pl.61. |
Source/Photographer |
https://web.archive.org/web/20110617002741/http://www.cecilhigginsartgallery.org/paintings/boyceb.htm |